An Urgent Call to the UK Government to Recognise and Support Podcasting and Audio as a Core UK Creative Industry
AudioUK has made an urgent call to the UK Government to Recognise and Support Podcasting and Audio as a Core UK Creative Industry.
Podcasting and audio in the UK is a rapidly growing commercial and cultural force – amplifying local voices while projecting British creativity and soft power on a global stage. And yet we lack formal recognition as a Creative Industry at government level.
Over the summer of 2025, we launched a public policy campaign to urge for reform.
Over 400 podcast and audio businesses, collectively employing around 12,000 people, have now signed our open letter to the Rt Hon Lisa Nandy MP, Secretary of State for Culture, Media and Sport. This is an unprecedented show of unity from across our industry, from major networks and studios, to new independents, calling for urgent government recognition of podcasting and audio as a core UK creative industry.
AudioUK is pleased to report that DCMS has committed to commissioning a research study to measure key data across the podcast and audio industry. The results of this research are expected to be published in 2026. This is a key first step in securing the recognition and support that podcasting and audio deserves as a major economic and cultural driver.
Your support has been vital in amplifying this message and demonstrating the strength and breadth of our sector. You can view the full report summarising the campaign here.
A Reminder of the Key Asks for DCMS and Government:
- Formally recognise podcasting and audio as part of the Creative Industries.
- Include a seat for a podcasting and audio representative on the Creative Industries Council, not just at sub-group level.
- Introduce targeted support, including a Tax Relief, a SIC code specifically for podcasting and audio, and a Global IP Fund, to fuel growth and investment, nationally and internationally.
- Commission a workforce and economic impact study of the podcast and audio sector as specified in the Creative Industries Sector Plan – NB: we are pleased to be working with DCMS currently on a piece of work to gather industry data.
- Ensure future strategic plans fully incorporate the potential of podcasting and audio across skills, exports and regional development.
Next Steps in the Campaign
Signatories to the open letter have closed, we have issued our response to the Secretary of State for Culture, Media and Sport and we have already begun several strands of follow-up work:
AudioUK has already begun collaborating with the Department for Culture, Media and Sport (DCMS) on a new data initiative to quantify the podcasting and audio industry’s economic impact, a first step towards establishing the evidence base for policy change. This will cover podcasting, radio, audiobooks.
AudioUK is also collaborating with the industry to create a brand new SIC code – the tax code that categorises companies – for podcasting and audio businesses. No SIC code exists that represents podcasting and audio, making it difficult to monitor industry growth and scale.
We continue to advocate for a seat on the Creative Industries Council and will meet with the key representatives – we are hopeful that any changes to the Council in the near future reflect the impact that podcasting and audio has both nationally and internationally, to give it a seat. This is not about AudioUK specifically having a seat, but the industry as a whole having a representative.
And we will work with DCMS on Creative Industries Sector Plan support frameworks: Support the work to define details of the Sector Plan to ensure podcasting and audio companies are primed to see the benefit of grants and aid schemes from the British Business Bank alongside other creative industries.
The UK’s podcasting and audio community is bold, creative, and ready to scale even further. With the right policy frameworks and targeted investment, we can unlock exceptional growth, drive exports, maintain and strengthen our position as a global cultural leader, and expand a vibrant, diverse workforce across the UK.
The Open Letter
To:
The Rt Hon Lisa Nandy MP, Secretary of State for Culture, Media and Sport
Cc:
Baroness Shriti Vadera, Chair, Creative Industries Council
Sir Peter Bazalgette, Co-Chair, Creative Industries Council
Caroline Norbury OBE, Chief Executive, Creative UK
Chair and Members of the Culture, Media and Sport Select Committee
An Urgent Call to the UK Government to Recognise and Support Podcasting and Audio as a Core UK Creative Industry
Dear Secretary of State,
We, the undersigned UK companies, industry bodies, parliamentarians and individuals, write with both urgency and optimism.
Podcasting and audio in the UK is thriving – creatively, culturally, and commercially. Yet it remains largely overlooked by policymakers. This is a critical gap in the Creative Industries Sector Plan – one we hope to address together.
Podcasting and audio in the UK is a rapidly growing commercial and cultural force – amplifying local voices while projecting British creativity and soft power on a global stage:
- The number of people listening to podcasts in the UK has more than doubled over the last 5 years, and is set to continue to grow exponentially, particularly in under 24s.
- The podcast and audio industry in the UK is worth up to an estimated £5 billion annually, thanks to its wide reach and capacity for IP development and exploitation. It is one of the fastest growing Creative Industries in the world, exceeding 20 – 30% annual expansion rates versus the single-digit or mid-teens typical elsewhere.
- Podcasting thrives both locally and globally. On a local level, over 50% of AudioUK member businesses are outside of London, creating jobs, providing training, and platforming local stories and voices.
- Podcasting and audio is a key UK export. Shows including The Rest Is Politics, The Rest Is History, Traitors: Uncloaked, Kill List and The Magnus Archives reach billions of listeners worldwide, and have proven their influence on a global scale.
Despite UK talent and production expertise being globally recognised for its quality and popularity, we remain unprioritised, particularly when compared to other creative sectors:
- There is minimal mention of podcasting and audio across the 80 pages of the Creative Industries Sector Plan – despite the significant cultural and economic value it brings.
- Podcasting and audio receives no access to tailored public funding or investment, unlike film, TV, digital games, and more.
- The sector is largely excluded from policy conversations at the Creative Industries Council – the very body designed to shape the future of our creative economy.
- Data around our workforce is largely absent from national creative labour surveys.
Steps for Government
We urge you to take the following steps to recognise and support podcasting and audio as a key part of the UK’s creative future:
- Formally recognise podcasting and audio as part of the Creative Industries.
- Include a seat for a podcasting and audio representative on the Creative Industries Council, not just at sub-group level.
- Introduce targeted support, including a Tax Relief, and Global IP Fund, to fuel growth and investment, nationally and internationally.
- Commission a workforce and economic impact study of the podcast and audio sector as specified in the Creative Industries Sector Plan.
- Ensure future strategic plans fully incorporate the potential of podcasting and audio across skills, exports and regional development.
We Are Ready For Change
The UK’s podcasting and audio community is bold, creative, and ready to scale even further. With the right policy frameworks and targeted investment, we can unlock exceptional growth, drive exports, maintain and strengthen our position as a global cultural leader, and expand a vibrant, diverse workforce across the UK.
We look forward to working with you to ensure the UK remains at the forefront of local and global podcasting and audio storytelling.
Yours sincerely,
Signatories
YouTube
The Guardian
Square Dog Radio
Rusty Quill
Mercury Podcasts Ltd.
Podomedy
The Media Mentor
Wilkinson Productions Ltd
Tandem Productions
Giddy Goat Productions Ltd
Jake Wittlin
Scenery Studios
Mighty Bunny
Afonica
Bespoken Media
Be Quiet Media
The Big Light
soniche productions
Leah Marks
unusual
Crawley Voice Studio
Pozzitive Television Ltd
Rethink Audio
Olivia Cowie
The Fifth Sector Limited
feral inc
digitaldjeli
Quattrain
Platform Media
Cary Morrison
Soul Sutras Ltd.
The Radio Department
Euan McAleece
Kate White
Ronnie Jones
Promenade Productions Ltd
Decibel Podcasts
Tillervision
Amplifi
Chalk + Blade
Ideas Genius Ltd t/a Unedited
Sue Clark Productions
Julie Beguin
Naked Productions Ltd
Kat Kourbeti
Biscuit Jim Creative
Small Wardour ltd
Thomas Carter Projects
Aiir
Navigated Media
Mike Migas LTD
City, University of London
Time Capsule Productions
White Stiletto Ltd
Jac Phillimore
Jane Wing Voiceover
Soundtruism
Audiothentic
4am Creative
Mindhouse
Patrick Aryee
Denise Cowle Editorial
Noiser
UWE
Phil Rowe Voice
Caren Out Loud
Shevek Fodor
Novel
simonspace
16 Miles Productions
Ioannis Valasakis
Andy Jordan Productions Ltd
This Is Distorted
Amanda Hargreaves
Julia Hayball Media Limited
Audio Always
Chloe Sackur
Rakkit Productions
Tamara Reynolds
Carver PR
Foghorn
Marnie Duke
Holly Newson
Electric Breeze Audio Productions ltd
We Are Grape Ltd
Keyari Page
Edward Vander
Bengo Media
Candle & Bell Limited
Stories and Strategies Inc
Audioboom
editaudio
Pixiu Productions Ltd
Fridge Fresh Productions
Tysers
Diane Hope
Sony Music Entertainment
Unlocked Podcasts
ARC
Louise Morris
Louise Mason
Napoleon’s Nose Creative Media
Hello You the Shropshire podcast
Twelve Noon Films
Autistic Culture Podcast
Folded Wing
Fiona Clampin
Lee Reading
Reelex
Alumni Podcasts
Acast
Goalhanger
Tremula Network Ltd
Intelligence Squared
Pineapple Audio Production
Florian Bohr
University of Leeds
Steve Urquhart
The Radio Academy
Prison Radio Association
Podmasters
Podshop
Hereford Hospital Radio
Overcoat Media
Kelly Crichton
Content is Queen
Loftus Media
Sean Kerwin Productions
Getty Images
Listening Dog Media
Spiracle Audiobooks Ltd
Frances Byrnes
Fatima Luna
Podcart Ltd
Fun Kids
Telltale Industries
The Delicious Legacy
Briley Anderson
Version 1
Kult Media
Elevate Talent
Everybody Media
Lock It In Studio
Premier Christian Media Trust
North East Screen
Civilian
Octavius Theatre Company Ltd
Fresh Tracks Creative
Cold Glass Productions
Sonica Studios Ltd.
Colour It In Studios
Amani Zardoe
Nadia Mehdi
Wikimedia UK
Leonore Schick
DMG
Isabelle Jarvis Audio
Haymarket Media Group
Rachel Oakes
Sam Rhodes
Harry Gordon
Studio Goldstar
A Likkle Louder Ltd.
Far Shoreline Productions
Finimize
Europa Productions
Joseph Conlan
Eva Krysiak
Lower street
Kronfli Consulting
Jon Nicholls \| sound design
James Fowler Voiceover
Maple Street Creative (RadioWorks Group)
The Podcast Show London
Georgia Mills
Tin Can Audio
Jon Weeks
Graihagh Jackson
Sandra Shmueli
The Guardian
Thunder’s Mouth Theatre
Thomas Curry
Ania Pryzgoda
Teresa Milewski
Arthur Hood-Dixon
John Kennard Voiceover
Alex Grundy
Adam P McCready
Iain Hunter Sound Design
Skadi’s Symphony
Monica Brown
Aleksander Kinberg
Richard Berry
Kirsty Woolven
The Sound Counsultancy
Carol Scott
Dave Pickering
Abigail Wincott
Granny Eats Wolf
Emma Crampton
Riham Moussa
Dora Productions Ltd
The Podcast Digital Agency
Sylvie Carlos
Messages from the Wild
Switch Radio
ChromeRadio
Peter Koenig
Molly Merwin
RJJ Software
Coex Studios Ltd
Wooden Overcoats
Spindrift
Ginger Wizard Productions
Global
A Million Ads
Siriusly Creative
Anthony Rudd
Sarah bowers voiceover
Della Phillips Voiceovers
Tamara Kormornich
GDP Ltd
Fergus Brazier
Alice King Voiceover
Aflorithmic Labs (AudioStack)
Chris Stone
POW PR
Chas Rowe
The Audio Café
Sea Salt and Mango Ltd
Sarah Dray
Jill Simpson Korn
Darren Gerhold
Kris Harris
Audio Shed Productions
Osadumebi
Dr Magz Hall
Faith Howley
Gusman Productions Ltd
Sali Collins
Margaret Ashley
Stak
James Bonney
Falling Tree Productions
Selina Ream
Sarah Hayward
Josephine Coleman
Lab of Misfits
The Podcast Studio
Why did the Chicken? t/a Podspike
The Soundhouse Limited
Sonshine Art
Finimize
SUF
Reduced Listening Ltd
750 MPH
Elsa Jasmine Nightingale
SoundScribe
Erika Sanderson
Imagesound
Think Listener
Hayley Clements
Talent SJC Ltd
LAVA Force, Multicultural Marketing Agency
Carrie’s Voice / The Highland Voiceover Studio
Theodora Louloudis
Katie Stokes
School Of Pod
Mike Newman
Wireless Theatre
Lotus Consulting
Free Turn
Spoken by Lisa
Jessica Pender
Jungle Studios
Inspire Film and Television Ltd
Jake Wittlin
Tough Girl Challenges
Cllr Brian Wernham
Inkslingers Media
Alex Gatenby
Câh Pa’ncalâh Recording Studio
MG Creative
Hallie Rubenhold
Deborah Balm Audio
KNTC
Simon Green
David Holmes Voice
We See Sound
Thomas Hague
MIC media
Rusty Quill Ltd.
AudioFiction.Co.Uk
The NoReturniverse
Victoria Burroughes
Rebecca Gaskell
ON THE SLY Audio Production
HYB
Brigid Larmour
John Connett
Novel
Mary Carmichael
Emma Hignett Ltd
Rachel Richardson
Abigail Wincott
The Rainbow VO
Stories From the First Watch
Legend of the Bones
I Like Words Ltd
Sun & Sky Coaching
Brown Bear Studios
Lisa McMullin
It Was What It Was
Jaime Valentim
Peter Grant-Haysey
Richard Addis
YXO Studios Ltd
Eilidh Beaton
Humanise Live Ltd
Patvoicelondon
Laura Huff
Jennifer Tracey
Audio Factory
Aunac du Quercy
The Meliora Company
Josephine Coleman
The Family Histories Podcast
Cactus Inc.
Sharon Hegarty
Relay FM LLC
Chris Baughen
It Starts With a Podcast
In The Dark Radio
Bengo Media
Charlotte Greaves Comms
VGC Partners
Terry Halbert
Swim Dem Company Ltd
The Language Lab Podcast
Incredible Society
Yasmine Dankwah
Jessica Campbell
Handymakes Studio
Atypical Artists
Rowan Flack
Listening Shelf
Raj Pander
The Dramatic Voice
Goalhanger
Jampot Productions Ltd
Verity de Cala
Iain Hunter Sound Design
Bee Beard
Vicky Baker
Dell Studios Productions
Carleen Macdermid
Jayne Wilkins
Martin Quibell
The Impact Apothecary
soundtruism
Monstrous Productions
Sali Collins
Foolproof Creative Arts
Powell Enterprises
Old Aberdeen Counselling Services Limited
Heather Alexander
Mickord.com
PINOT
The Socially Distant Sports Bar
